The beauty of the S1 is that it not only allows you to enhance your stereo image but also readjust your stereo images and fix any issues you might be experiencing. Even though it came out more than 15 years ago, it’s still one of the most relevant stereo imaging plugins around. The S1 Stereo Imager is an absolute Waves classic.
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For example, if your mix is lacking that sparkle and sheen that you hear in other professional mixes, you can simply crank the high-shelf on the EQP-1A to get a musical-sounding high-end boost that would otherwise sound harsh coming from a digital EQ. While some people like having mastering tools that offer transparency, there are many cases where imparting a bit of analog vibe can go a long way. These two EQs were modeled after vintage PulTec EQs, giving you a warm, vintage sound no matter how you choose to set the parameters. By using both of these analog-style EQs on your master bus, you get a broad range of frequency-sweetening options, taking your mix from boring to beautiful. The PuigTec EQ bundle consists of the MEQ-5, which focuses on midrange frequencies, and the EQP-1A, which focuses on low and high–shelf boosts and cuts. For this reason, I often like to pair up the Puigchild 670 with the SSL G-Bus Compressor. Plus, allowing two compressors to split the work instead of using heavy-handed compression on one typically yields more transparent results. It can sometimes be good to get multiple flavors of compression on your master bus. There is no sound that can compare to these two compressors, and they’ve been used on some of the top records of all time, from artists such as The Rolling Stones, U2, and Lady Gaga.Įven simply placing these compressors on your master bus without dialing in any sort of compression can yield fantastic results, giving your masters more harmonic detail and a distinct nuance you can’t find from any other hardware compressor emulation. The PuigChild compressors from Waves model the Fairchild 660 and 670 from the late 60s. What better way to get that analog magic with an emulation of one of the most sought-after hardware compressors of all time? While there are many people that look to more transparent compressors to master their mixes these days, there’s a beauty to imparting a bit of analog magic on your mixes. This emulation of the Abbey Road tape machine offers an easy path to get you from digital sterility to analog goodness, suiting just about any kind of production in any genre.īest Waves Mastering Compressor - Puigchild Compressor That’s why when Waves came out with the J37 tape machine emulation, engineers everywhere rejoiced.
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The frustration in trying to upkeep a tape machine sometimes isn’t worth the results. Of course, real analog tape recorders are difficult to store due to their size, incredibly expensive, and often temperamental. There’s a reason why it is such a sought-after sound, and Waves' J37 nails that sought-after tone.
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Learn How to Master Your Music, For Free!īest Waves Tape Plugin for Mastering - Waves J37Īnalog tape can provide mixes with vibe and warmth unlike anything else.
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